Spectators are invited to attend the screening of an interactive film. In the exhibition space, they see a new film on the projection screen made from footage from Hitchcock's film The Man Who Knew Too Much, shot in 1936.

The particularity of this new film is that it breaks with classic film linearity. Indeed, in TMWKTM, the sequences of the original film are separated from each other, they float in space, slowly grow larger while moving towards the viewer and then disappear from the screen. During this time, colored balls in synthetic images touch these sequences and trigger the sound moments linked to these shots.

In this 3D environment, the virtual read heads arrange the images and once the film has been completely reordered, the program returns to zero, redistributing the clips randomly in space. The infinite automatic film starts again.